Sensuous, playful, teasing, mellow, tender... just some of the adjectives that are evoked while listening to Mr. Hodges' saxophone. Johnny Hodges' saxophone is at the fore, with his smoothed-out Bechet melodic lilt. Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. ***** for him! It seems an interesting - and strange - thing to do!What setup with a NEW alto can give you a sound that resembles Johnny Hodges?When you say "YOU" presumably you mean "you", ie you not "me" or "us".I'm not trying to be funny, but you, me or us playing the same set up would not sound like him.What might make sound (a bit) like him is not the same as what might make you or someone else sound (a bit) like him.I have been asked in the past on film recording sessions to sound like Johnny Hodges, and I managed to get away with it. Alto Saxophone – Johnny Hodges Arranged By, Conductor – Jimmy Jones (3) Baritone Saxophone, Bass Clarinet – Danny Banks* (tracks: A3, A4, B2, B4 ), Don Ashworth … Fabulous sax, piano and arrangements - just what I wanted and expected - but at just over 30 minutes, not long enough !! He played lead alto in the saxophone section for many years. John Keith "Johnny" Hodges (July 25, 1906 – May 11, 1970) was an American alto saxophonist, best known for his solo work with Duke Ellington's big band. Beautiful engineering and production, so the sound is just beautiful, even after all these years. They were backed by a rhythm section of piano, guitar, bass and drums.A complete (and very rare) octet session featuring Webster and Hodges from August 27, 1964, has been added as a bonus to this new DSD 256 Stereo release. Ich möchte meinen Vorrezesenten insgesamt bestätigen,aber noch einige Anmerkungen machen. Johnny Hodges, the longtime lead alto saxophonist of the Duke Ellington Band, is one of my favorite musicians. Recorded November 22nd & 23rd, 1960, at the Jazz Cellar, San Francisco(b) Johnny Hodges and His Orchestra; Cat Anderson (trumpet); Lawrence Brown (trombone); Paul Gonsalves (trumpets); Russell Procope (alto sax, clarinet); Johnny Hodges (alto sax); Victor Feldman (piano);George Catlett (bass); Sam Woodyard (drums)The superb November 1960 session recorded by the Ben Webster-Johnny Hodges sextet in studio conditions at the Jazz Cellar, in San Francisco (without an audience). No conclusive answers and he did seem to change over the years - metal Link to Brilhart to Berg Larsen to Selmer, according to one view.Here us the thread that Mr PT made his comments on: With Strays at the helm, this is probably Hodges' most "together" recording. Johnny Hodges Essential Jazz Classics ￥ 1,216 通常2～3営業日以内に発送 Best Of The Verve Years Johnny Hodges Enlightenment ￥ 1,816 在庫あり。 オマージュ・トゥ・ザ・デューク(期間限定価格 … Johnny Hodges (1907 – 1970) was best known for his solo work with Duke Ellington’s Orchestra where he played lead alto in the saxophone section for many years and his playing became one of the identifying voices of the Ellington orchestra. The orchestration is done so well that even if you're the sort of listener who prefers more of a small group aesthetic sans orchestral elements, you can get behind this recording with ease. He was one of the prominent Ellington Band members who featured in Ellington's practice of writing tunes specifically for members of his orchestra resulted in the Hodges specialties, "Confab with Rab", "Jeep's Blues", "Sultry Sunset", and "Hodge Podge". [Name placement is deliberate]
Everything is done so tastefully and beautifully well. All time classic by world-class musicians on top of tgeir game. Listening to this CD has prompted me to start buying more music from this time/style. )My horn was an Adolphe Sax, the mouthpiece was a Vandoren Java A45 (only because I was endorsing them at the time).I think that if I'd used the same horn and mouthpiece/reed as Johnny Hodges, I may not have pulled it off.' エリントニアンを起用した中編成の、相も変わらずのホッジスのリーダーアルバムのように見えるが、本作はビリー・ストレイホーンが編曲に徹している（ピアノはジミー・ジョーンズ）。おなじみのエリントンナンバーもエリントンバンドのものとは全く異なるアレンジが施されているのが興味深い。国外では再評価の機運がドンドン高まっているストレイホーンだが、わが国ではサッパリなのは何故なんでしょうか？ He was closely identified with Duke Ellington’s orchestra, playing with that seminal jazz group for nearly four decades, with only a four-year break in the early 1950s, when he led a band of his own. Complete Jazz Cellar Session 1960 [12 inch Analog] There is a soft, relaxed spirit throughout, evident in Jeeps Blue's and even Juice-a-Plenty. My favourite track is "I got it bad, and that ain't good" it really pulls at your heartstrings.
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Johnny was a notoriously diffident leader, so his other recordings as headliner (all small groups), while featuring the most beautiful alto player ever, seldom have great arrangements or interplay. I had a vague idea that a Brilhart was his mouthpiece choice.As suggested, i had a look on line. Renowned for the beauty of his tone and his mastery of ballads, Hodges was among the most influential sax players in jazz history. Possessor of the most beautiful tone ever heard in jazz, altoist Johnny Hodges formed his style early on and had little reason to change it through the decades.
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johnny hodges saxophone