Where are the women?“It’s like ‘The Empire Strikes Back,’” Cantillon said on Tuesday, after female directors and films starring women were largely A.W.O.L. Moviegoers have been responding favorably to diverse casting and stories (“Us,” “Crazy Rich Asians,” “Black Panther”), prompting studios to serve up more. So, without further ado, here is our list of amazing and accomplished directors who also happen to be women. In other words, she has seen it all.But the current Oscar race has left her slack-jawed. The studio has 13 movies on the remainder of its 2019 schedule. (The coming Oscars may recognize a few Asian acting performances but could also feature no black nominees.) “We see it as an important competitive edge.” He added, however, “As a husband, a father and a human being in the world, I’m eager for the industry to collectively do better on this front.”STX currently has six films headed to theaters by the end of the year, two of which have female directors. Women Made Them. Frustration over the lack of women in the conversation for best director has been intensified by the sidelining of women in films like “The Irishman,” which meanders along for three-and-a-half hours but Asked why Margot Robbie had so few lines in “Once Upon a Time … in Hollywood,” Quentin Tarantino “There is a systemic belief that stories about men matter more than stories about women,” said Some are also troubled by the large number of Oscar contenders that feature (white) men lamenting a changing world. They come from all over the world, work in every genre, and have made some of the best films and television of all time. Clockwise from top left, Greta Gerwig, Melina Matsoukas, Jennifer Lee, Tina Gordon, Elizabeth Banks and Roxann Dawson. “I’m too old to race cars” (Christian Bale in “Ford v Ferrari”). “New York has become a mean place” (Joaquin Phoenix in “Joker”). The academy has admitted thousands of new members over the last three years, with an emphasis on women and people of color.At this point, most of the leading Oscar handicappers — Anne Thompson of Indiewire, Glenn Whipp of The Los Angeles Times, Tim Gray of Variety — are predicting that the academy will put forward an all-male field for best director. Despite box office success and critical praise, female filmmakers are largely being left out of Hollywood’s awards season. from the Women have come a long way in Hollywood since 2017, when the #MeToo and Time’s Up movements swept the culture — maybe so far that the film establishment, still overwhelmingly male, is reflexively trying to throw on the brakes, said Cantillon, who has been a member of the Academy of Motion Picture Arts and Sciences since 2017.“I think there was all this support for the resistance,” she said, “and then they were like ‘Whoa, not so fast.’”For people who share Cantillon’s point of view — and there are lots of them in Hollywood, male and female — the lack of traction for female filmmakers this awards season is particularly galling because there are many worthy candidates.They are just a handful of the dozen films from women directors sure to be among the top 100 grossing films of 2019, a 10 percent uptick from the 12-year norm and a significant improvement from last year’s abysmal showing of 3.6 percent. Ms. Glaser has been the chief financial officer of Etsy, Inc., since June 2017. NYT: ‘Female Directors Were Conspicuously Absent’ Posted on January 13, 2015 by Luke Ford Regarding the Directors Guild of America feature film nominees, the NY Times Watching blog says today: “Female Directors Were Conspicuously Absent” One response to “Juiciest Takeaways From Bob Iger’s NYT Chat: Murdoch Drama, Executive Diversity and Female Directors” Greg says: September 22, 2019 at 5:27 pm
Disney recently released “Captain Marvel,” with Anna Boden as a director; in the works are two more Marvel films from women (“Black Widow” and “The Eternals”). Much of its output involves female-focused movies like the Amy Schumer vehicle “I Feel Pretty,” directed by Abby Kohn and Marc Silverstein.“We’re proud of our track record of making films for, with and by women,” Mr. Fogelson said. Honoree Reese Witherspoon proclaimed her relief that her days of being the only woman on a set of a 150 men were thankfully well in her rear view, thanks both to her growing clout as a producer and her realization that for much of her career she had been siloed from other women.
“I think that is becoming increasingly more important, but I would say the business is slower to see the connectivity.”That most studios employ few female directors would not surprise anyone who has been paying attention to the So the of-the-moment snapshot provided by the recent studio presentations is striking.During its session on April 3 at CinemaCon, a convention staged by the National Association of Theater Owners, Disney unveiled a 19-film slate for the rest of 2019, including a batch of movies from the newly acquired 20th Century Fox. Other categories could be similar. It’s an annual ritual: Here are the potential hits we will deliver.For the first time, the importance of onscreen diversity came across as more than lip service. ... “If you hire 100 percent male directors, nobody notices,” said Alia Luque, one of the 10 female directors Ms. Bergmann chose for this season. No One Nominated Them.From left, Melina Matsoukas (“Queen & Slim”), Greta Gerwig (“Little Women”) and Lulu Wang (“The Farewell”) have been largely left out of the best director conversation.From left: Samuel Trotter for The New York Times; Jody Rogac for The New York Times; Rozette Rago for The New York TimesLorene Scafaria’s “Hustlers” collected $150 million at the worldwide box office.“A Beautiful Day in the Neighborhood” is the story of two men, though it was directed by Marielle Heller, left. (The next one is “Universal Studios has 15 movies with release dates through December. Viewers and Critics Liked Them. Fewer ticket-buying decisions are made based on the gender of the filmmaker, however.“Does a consumer care about how something is made versus what they see onscreen?” Cathy Schulman, an Oscar-winning producer (“Crash”), said in an interview. “I’m a washed-up actor” (Leonardo DiCaprio in “Once Upon a Time … in Hollywood”).
Two weeks ago, the big movie studios showcased their 2019 lineups for multiplex executives in a series of elaborate marketing presentations in Las Vegas. Kyrre Lien for The New York Times LESSONS IN LEADERSHIP Tove Selnes, left, an executive vice president of Opera Software in Oslo and a past participant in Female Future. Score?
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